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lunedì 8 gennaio 2024

Dimmu Borgir - In Sorte Diaboli

BACK IN TIME:
http://www.secret-face.com/
#FOR FANS OF: Black Metal
I thought this release was WAY underrated! I really like the guitars, drums, vocals, the whole sch-peal. I think that this band evolved over the years, some for the good, but most for the worst. Not on here, though, they have my utmost attention. I'm fussy when it comes to black metal. If an album is overruled by synthesizers, I'm not interested. They didn't go overboard on here. Everything was in sync with everything else. I cannot stress that enough. They really kicked ass on here, the musicianship is just insurmountable. I think the album is good the whole way through. Everything is original sounding and the vocals slay.

With the help of Galder on lead and Hellhammer behind the drum-kit, this is a no fail release to me. I don't care about other people's opinion on here. It's totally catchy and original guitar-work. And Hellhammer simply crushes as usual. This band should have progressed, but their latest is really terrible. I stopped following this band after this release. I just thought this was the last monument. The album 'Death Cult Armageddon' another one that slays. But I like this one more. Hence, the higher rating. They should've chronically recruited Hellhammer and Galder, but Silenoz has always been killer.

The music on here is what hits home for me. They really do the album justice with the songwriting on here. They don't overuse the synthesizers. But the aura is totally grim. As with past releases, as well. They really need this album for a change and the rhythms are just entirely dramatically well orchestrated. The riffs I look at most on albums being that I was a former guitar player. It just comes natural to me. The whole effort as a band on here is just phenomenal. They really kick ass here. The drums keeping in sync with the music. It's completely there all the way and the choruses are enigmatic.

Check this one out! It's definitely worth it. For black metal fans or just people who like metal, this release is a killer one! Everything on here is worth checking out, the music, the production quality, the vocals and the drums. Everything on here is just amazing. This album is filled with intriguing auras and high points. It's entirely amazing, and they picked an all-star cast. Hellhammer slays behind the drum-kit. And Galder does a great job on lead. But the rhythms are entirely original. Some of the variations in the vocals are intriguing as well. Get this album right now! (Death8699)


(Nuclear Blast/Avalon - 2007/2020)
Score: 75

domenica 7 gennaio 2024

Gorthaur's Wrath - Unleash Hell

BACK IN TIME: recensione gentilmente concessa da Nihil Zine
#PER CHI AMA: Black Metal Svedese
Nove pezzi (più una evitabilissima traccia 66 nascosta, che consiste però in un interessante remix industrialoide) ci vengono proposti da questa band croata, ispiratissima dal duo Marduk/Dark Funeral. Nonostante una certa carenza di fantasia, i cinque black metaller dei Balcani se la cavano con i loro strumenti a sufficienza da lasciarsi ascoltare abbastanza volentieri. Palesissimo l’influsso dei Dark Funeral (talora ci sarebbero addirittura gli estremi del plagio), a cui i G.W. cercano di sottrarsi inserendo alcune orchestrazioni discretamente valide. Il punto di forza della band è però l’aggressività e l’ottima prova del batterista Insanus che picchia parecchio dietro alle pelli. Certi spunti lasciano pensare che qualche numero del tutto personale potrebbe saltar anche fuori dal cilindro dei nostri croati, ma, per il momento, il songwriting ha un carattere troppo derivativo per essere ben giudicato. Apprezzabile la lunga durata del demo e discreta la registrazione, ma mancano le idee. Non mi sento comunque di bocciare del tutto i G.W. perché 'Unleash Hell' è godibilissimo (forse per questo è stato riproposto nel 2019), seppur per un numero abbastanza limitato di ascolti, e decisamente meglio suonato rispetto al materiale di altri emuli del black metal svedese. Provate intanto a dargli un ascolto.

(Self/InsArt Records - 2001/2019)
Voto: 65

https://www.facebook.com/gorthaurswrath/

sabato 6 gennaio 2024

Angelcorpse - The Inexorable

#FOR FANS OF: Black/Death
The aggression is absolutely unfathomable! I've heard blackened death metal but these guys punch a whole in the speakers! Originality in the songwriting and it's a full under an hour onslaught of pure metal. A shit-ton of blast beats and fast riffs all over. They don't seem to let-up in intensity. I was more than satisfied with this album, enough to gear that it is flawless. It really makes bands in the similar genre to be eunuchs. That's one thing that this album offers, is balls out intense. There's no nonsense on here. They were all about ripping in guitar work. The riffs are filled with tremolo picking everywhere!

All throughout the album is fast tempos. They don't want to slow-down. And the leads shrike in complexity. Pure onslaught of terror and the lyrics all about the ungod. They didn't want to put together anything but music that's no holds barred brigade. There are only a few instances where they play a little less intense but not much! Everything coming together, that's fast and furious songwriting. I don't hear much let-up at all. They just wanted to tear everything apart including the listener. I believe the guitarist Gene went on to form Perdition Temple. They are similar to this just not as intense.

The production quality was good enough to make everything fall into place. The music was well-balanced just the guitars are so fast throughout this whole album. The vocals went well alongside the music and the tempos are unrelenting. It never gets old though I warn you one listen per day of this because it's so intense. They knew what they wanted to do on here, I'd say that this is sort in the vein of a concept album. And the concept is to annihilate the eardrums! They really can play some sick metal, and their talent shows throughout this entire release. The abomination in music makes this so memorable!

I decided not to download the album, I wanted it on CD. But yeah, you have your choice and if you want into this release then show the band some support (even though they're split-up), buy the album. I'm sure if you're a fan of this particular genre, you'll enjoy this immensely. But if you really want to, I'm sure Spotify or YouTube has this album on there. Definitely not one to pass up ABSOLUTELY. These guys know how to make a dynamic and intense album all the way through. Consistency was key on here and it definitely shows. I like this band, and it's a shame that you won't be hearing more from them. Own this! (Death8699)


(Osmose Productions - 1999/2022)
Score: 80

https://osmoseproductions.bandcamp.com/album/the-inexorable

giovedì 4 gennaio 2024

Vale Of Tears - Oxymora I.

#PER CHI AMA: Melo Groove Death
Arrivano da Karcag in Ungheria e non devono essere confusi con gli omologhi, ma ormai sciolti, originari di Budapest. I Vale of Tears di quest'oggi, si sono formati addirittura nel 1997 e 'Oxymora I.' è un EP che arriva 14 anni dopo il precedente full length 'Illdisposed Inner Interest', quasi a dire "ragazzi non temete, siamo ancora vivi". E allora fatevi investire anche voi dal roboante sound melo death del quintetto magiaro. Un trio di song che arriva giusto in tempo per prenderci a schiaffoni con i loro riff tritasass: "Antibiosis" ne è un chiaro esempio tra un riffing sincopato, growling vocals e ottimi assoli, a cui aggiungere anche la partecipazione di tal Péter Kelne. "The Loudest Silence" prosegue l'opera demolente, in un intrecciarsi di ottimi assoli che sfrecciano piacevoli su questo tessuto ritmico davvero pesante (e che forse andrebbe leggermente alleggerito). I growls di Ferencz Mulicz sono davvero da orco cattivo, ma in questo contesto ci stanno dopo tutto benino. In chiusura, "Limited Freedom" suona più fresca, più moderna, più melodica e sembra quasi meno mastodontica, soprattutto grazie allo splendido lavoro delle asce e a delle influenze elettroniche che ci mostrano un lato differente dei Vale of Tears. Insomma, un ritorno che per alcuni potrebbe essere anche gradito, per me invece una piacevole sorpresa. (Francesco Scarci)

martedì 2 gennaio 2024

Destruction - Inventor of Evil

BACK IN TIME:
http://www.secret-face.com/
#FOR FANS OF: Thrash Metal
This is a strong release by thrash metal veterans Destruction. Solid, quality riffs are featured on this whole release. It's amped up in intensity and the vocals have a sort of echo to them to make the atmosphere more surreal. It actually suits the music quite well. Not as strong of a release than 'The Antichrist', but it's still pretty darn good. One thing they could've cut out are the leads (Mike's). It's just too sloppy and he's never been good in that department so it's better that they have guest musicians filling that slot though now they're a 4-piece. Mike did great with the songwriting and the main riffs to songs but always lagged on leads. Harry was SUPERIOR.

I enjoyed this whole release! I would've scored it higher if (as I mentioned) the leads were taken out. They did make a great comeback which I didn't think would happen after 'Cracked Brain'. I'm glad they did return! All 'Hell Breaks Loose' was a killer comeback and I overplayed it (haha). It's hit or miss with Destruction though. Most of their early stuff I like with the exception of course their bad production quality ('Sentence of Death' and 'Eternal Devastation/Mad Butcher'). 'Infernal Overkill' hits home with me though. Their newer stuff a lot of it sounds similar to previous releases. That's the one beef I have with the band. They need to come back with their creative juices.

Fortunately, it was a good production on here and the riffs were pretty good. It was deserving of a "73" rating. There are quite a few guests on the vocal department (not that Schmier needs it) but it adds some variety to the release. And to correct I do think there are only a few guests for lead guitar. Overall, the thrash metal community stays strong with bands like Destruction setting the standard for this generation of bands putting out music in this genre. Destruction was one of the founding bands in the early 80s who really put forth a lot of original releases in that era of thrash metal. But now, they seem to blend in with a lot of other bands. 'Inventor of Evil' has a touch of the new and old work.

Production wise this release was done well! I believe they were on a budget that allowed this and spent some time in recording this. The riffs are fresh and nostalgic. I believe Schmier was strong on the vocals and Mike did well on the rhythm guitar. The fact that he's not with the band any longer makes me sad. He was the founding guitarist to the band and I guess he wasn't feeling it anymore. Band members commented on his departure that they (Schmier) were sad to see him go after all these years. But they also commented in saying that he was in poor health. At least he sounds great on here! (Death8699)


(AFM Records/Seven Seas - 2005/2015)
Score: 73

https://www.destruction.de/

lunedì 1 gennaio 2024

Borgarting - Beist

#PER CHI AMA: Black Metal
La Dusktone deve averci preso gusto ad arruolare band norvegesi nel proprio roaster, pensando forse di trovare quella band che le permetta di fare il salto di qualità, un po' come fondamentalmente fanno anche le squadre di calcio quando cercano nuovi talentuosi piccoli Messi in Sud America, sperando nel colpo gobbo. Cosi, anche l'etichetta nostrana, setacciando tutto il sottosuolo norvegese, ha fatto saltar fuori questi Borgarting, che arrivano al loro secondo album. 'Beist' è un esempio di black mid-tempo, anche se l'introduttiva "De Skyldige" è piuttosto una noiosissima nenia. Poi, a partire da "Allfar", emergono forti le influenze nordiche di band del calibro di Khold o Satyricon, tra gelide chitarre zanzarose, una parvenza melodica, delle vocals che sembrano evocare gli Enslaved e quanto di "alternativo" la scena black norvegese ha provato a rilasciare in passato. Non siamo ai livelli di intoccabili mostri sacri, ma le song scorrono via veloci tra schitarrate rancide che odorano di black thrash old school ("Hat"), grim vocals, porzioni più melodiche e atmosferiche ("Mer"), che provano a stemperare le dissonanze sonore di influenza "satiriconiana", periodo 'Rebel Extravaganza' che ritroviamo nelle note dei nostri. Ma poi, la sensazione che respiro dopo quest'immersione nel mondo dei Borgarting è un po' deludente, visto che alla fine dei conti, non ho sentito nulla di originale, ma solo un disco ben suonato, e poco più, che per carità, è già tanta roba in un periodo in cui bandcamp e affini, permettono a chiunque di dare il proprio contributo (talvolta pessimo) a un mondo musicale che sembra si stia accartocciando su se stesso. Comunque, quello del quintetto norvegese è alla fine un discreto lavoro, di lontana matrice black'n'roll, giusto per sottolineare una sorta di sperimentazione nelle note di 'Beist'. Bravini, ma i nuovi Messi si contano sulle dita di una mano. (Francesco Scarci)


domenica 31 dicembre 2023

Malignance - Ascension To Obscurity

BACK IN TIME: recensione gentilmente concessa da Nihil Zine
#PER CHI AMA: Black Old School
Potentissimo e originale total-black per questa (allora) giovane ma alquanto conosciuta band. Tre tracce di puro black metal di vecchio stampo con chitarre taglienti guidate da una batteria veloce e pestata che non lascia tregua. Sono rimasto alquanto colpito dalla voce: evocativa e molto impostata nel parlato, sa essere arcigna nei limiti fino ad arrivare a urla degne di un Dani Filth nella migliore forma. Anche nelle parti di growl non è male. Una nota di demerito è l’intro, per me tanto inutile quanto straabusato. La seconda traccia ("The Lament's Configuration") mostra la bravura dei nostri in fatto di composizione ed esecuzione. Pur nel caos e nella velocità, si può sempre seguire una traccia sensata grazie a sprazzi armonici e melodici. L’artwork è appropriato e abbastanza originale per quanto riguarda il tema: d’obbligo le foto con il face painting. Sarei curioso di leggere i testi, che purtroppo non ho sotto mano. Sono convinto però, che sono all’altezza delle canzoni. Come assaggio questo EP non fu male, il seguito ha visto la band produrre altri quattro album fino all'ultimo 'Tales of Cowards, Heroes and Death' del 2022. Vedremo in futuro.

venerdì 29 dicembre 2023

Suffocation - Breeding The Spawn

#FOR FANS OF: Brutal/Techno Death
Brutal onslaught of death metal galore. This might be one of their best releases in their entire discography! They made some really original, unrelenting and pivotal songs ever. I cannot recall a Suffocation album being this likable. They really know what they're doing and they just did it, ABSOLUTELY! These guys knew how to pretty much invent brutal/technical death metal being an act of just enormous influence. Too many bands in the genre(s). They had some great vocals as well, it's not just the perfection in music, but yes the vocals are simply spell-binding. I can't recall listening to a death metal band like this and really liking the vocals.

The sound quality isn't the greatest though, otherwise this would be a top rating album. But it was way back when it was hard to get albums that were well produced. I think I'm right in saying that. These guys not only tore it up here but the music was mesmerizing as well. Hardcore death metal galore. This album is one that's never to be duplicated. Their debut might've been a bit more likable but both are simply amazing. I like the riffs on here a lot of tremolo picking and down-picking as well! These guys know exactly how to construct songs that are just original as all hell. They just wipe out the competition!

The sound quality, as I said, wasn't the greatest of a recording production wise but it's still admirable. The music on here is just blazing! I like what they did here but, if the recording was more solid, then I would've given this a 100%. Great band, album and rupturing genre. They know what to do music wise and they also had great vocals. Only a few things that I'd change on here. But everything else as it was phenomenal. They did the genre justice in regard to setting the tone to the genre. And just talent as well as passion here.

I know the brigade of streaming music probably has this on Spotify and YouTube, but I urge you to get the CD. I was able to pick it up at a local record store (yes those still exist!). So it's up to you to support the music community and the band themselves. You don't get the same effect as would be doing as getting a physical copy to the album. It's worth it! Sad for all of you that don't even have a CD player! It's a great album and this band is still surviving to this day! Show some respect for the music community and purchase this CD!! I doubt you will dislike it! Own it, today! (Death8699)


(Roadrunner/Listenable Records - 1993/2023)
Score: 85

https://www.suffocationofficial.com/