Ritual Fog - But Merely Flesh

#FOR FANS OF: Death Old School

As it happens with other metal genres, metal has evolved through the years, modernizing its sound and incorporating new elements. This has led to some bands mutating their sound to something more melodic and crystal-clean, while others have taken a step forward in the realms of brutality and insane intensity. In any case, as has happened with the black metal sub-genre, many old bands and some newcomers, retain the torch of the old sound with immaculate devotion. The USA-based band Ritual Fog is one of the latter cases. This young project released just an EP prior to signing an agreement with the reputed label Transcending Obscurity Records, which speaks volumes about its potential.

'But Merely Flesh' is the first full-length album by Ritual Fog, and it unequivocally breathes true passion for the old metal sound. All the elements contained in this album stay true to this path, beginning with the production. The sound isn’t exactly what you would expect from a metal album released in the beginning of the '90s, but it is very, very close to it. Overall, the result is very good as it maintains a good balance between having the rough and crunchy touch of the old albums but sounding clean enough to appreciate the performance of each instrument. Nevertheless, the way the guitars or the drums sound will surely bring you memories of the classic efforts. As with the instrumental base, the vocals’ approach also follows the old path. Ian’s voice is not particularly low-tuned as it happens with many modern bands, but it reminds me of how metal singers sounded around the late '80s and the beginning of the '90s. Although you will find some mid-tuned growls, Ian’s voice successfully introduces tons of raspy screams like it was usual in the initial years of the genre. "Desolate Chasm" is a good example of it where he delivers a great performance, and a faithful example of the characteristics mentioned. About the pace and song structure, the traditions of the classic efforts are also well represented in "But Merely Flesh". The pace throughout the whole record is varied, intense almost always, but having its ups and downs in the pace and energy. Moderately fast sections are combined with mid-tempo and slower parts in a very natural and inspired way. If you want relentless energy and vivid pace, songs like "Slimeblade" will please you. Excellent tracks like "Nocturnal Suffering" and "Demented Procession", give plenty of room to head-bang like crazy with its excellent mixture of speedy parts and mid-tempo sections that will make it impossible for the listener to remain still. Slower sections have their presence here and there throughout the album too. "Sentinel Chamber" is one of my favorite pieces in this sense, as it has a great contrast between heavier parts and the calmer ones. This composition has, which is probably the most atmospheric and calm section, that fortunately does not sound out of place at all. The way the band mixes different tempos shows the amount of work and talent put into this album, which is something that always deserves our praise.

'But Merely Flesh' is an excellent starting point for this project. The band gives the listener what he wants, a loyal and well-constructed old school metal album made to break some necks during concerts. Turn it up loud and enjoy! (Alain González Artola)

(Transcending Obscurity Records - 2024)
Score: 78

https://ritualfogdm.bandcamp.com/album/but-merely-flesh

Trollwar - Tales From The Frozen Wastes

#FOR FANS OF: Folk/Death

It's time to visit again the always interesting metal scene of Quebec with the band Trollwar. Contrary to previous occasions, we leave aside the black metal genre, focusing this time, on much more upbeat sounds. Trollwar was founded in Alma, Quebec, back in 2011 and currently consists of seven different musicians, forming a line-up that has been quite stable since its inception, apart from some minor changes. In any case, the band hasn't been particularly prolific, releasing two albums and some EPs.

After almost six years, Trollwar presents a new EP entitled 'Tales From the Frozen Wastes', which could help them gain a bunch of new fans. The band plays a mixture of folk and metal with a strong epic vibe, a fusion that has been quite popular especially in Europe in recent years. The eye-catching artwork gives the impression of containing something majestic, and thankfully, the four pieces and one intro contained in the new EP confirm this initial impression. First of all, the production is quite good, powerful, and clean, allowing all the different instruments and vocals to have their own room to shine. "The Unseen One" is the first proper track and contains all the elements that this genre usually offers: an aggressive main voice, closer to higher tones rather than purely metal growls, catchy yet powerful guitar lines, and some majestic arrangements in the form of keys and a solemn backing choir. The track also offers nice tempo changes which make the composition very enjoyable and headbanging friendly. Memorable and epic melodies are what you ask of this genre, and Trollwar surely knows how to create them. "Bane of the Underworld" is another fine example. It is a truly entertaining track, full of energy, great tempo changes, and addictive harmonies, both in the guitar lines, the vocals, or in the use of other elements such as keyboards or choirs. Additional clean vocals are also included in the majestic closing track "The Offering", which has plenty of speedy parts that make this composition one of the most energetic ones. I prefer other sorts of vocals, but all the additions are welcome as they help to enrich the band's music.

In conclusion, Trollwar's 'Tales From the Frozen Wastes' is a notable work. The production, composition quality, and the tastefulness of the melodies are unquestionable. Hopefully, this EP should boost the band's career in the difficult journey of standing out from the hard competition, particularly in this sub genre. (Alain González Artola)

(Self - 2024)
Score: 80

https://trollwar.bandcamp.com/album/tales-from-the-frozen-wastes

Esoctrilihum - Döth-Derniálh

#FOR FANS OF: Experimental Black

The French project Esoctrilihum has been, since its inception back in 2016, a relentless force of creativity, pushing the boundaries of extreme metal with a vast palette of influences. Asthâghul’s musical vision has navigated between the frontiers of black and metal, combining both genres with experimental and atmospheric arrangements. This combination varies with each album, achieving a very singular career full of monumental albums which obviously are not for everyone. The length, complexity, and brutality of some albums, may take some time to digest, but the reward is always worth your time. It is important to highlight how active Esoctrilihum has been during these years, releasing albums each year, which is quite impressive taking into account the intricate nature of its music.

 

I was curious to listen to what this French project could offer after the particularly lengthy and complex 'Astral Constellations of the Majickal Zodiac', which was like a musical summary of the previous albums. It was an appropriate moment to push once again the boundaries of its music and unsurprisingly Esoctrilium has made it with the new opus 'Döth-Derniálh'. Don’t get me wrong, there is not a radical change here, as most of the well-known elements used by Asthâghul can be found here. Nevertheless, there is a very interesting and generous use of acoustic guitars, which helps to create some kind of folk horror atmosphere throughout this album. The widespread use of clean vocals, alongside the aforementioned acoustic guitars, make this album a more intimate, mysterious, and dark piece of work. It is also less extreme in comparison to other previous albums, although the rage erupts when you least expect it. The keys also play an interesting role in enhancing the occult-like atmosphere of the album. The first track, entitled "Atüs Liberüs (Black Realms of Prisymiush’tarlh)" is a clear example of it, with these great keys, whose melodies are really hypnotic. The already mentioned acoustic guitars make their first appearance, accompanied by some kind of violin or similar instrument, creating an interesting mixture of sounds. The clean vocals have a great role here, as you will notice throughout the album, although in this track they are particularly omnipresent. As said, there is room for some fierceness in this album although to a far less degree, this track being also a clear portrayal of it. Moments of brutality with some great shrieks and relentless double bass can be found here and there, like for example in the second track, being that section one of my favorites as it masterfully combines the fury with some captivating melodies. The third and fourth tracks explore this heavier side, but still keeping a relevant space for the acoustic sections that define this album. The unique approach of this album diminishes the immediate impact of the compositions and requires more time from the listener to become accustomed to it. However, if you allow yourself to be enveloped by the atmosphere, this album can be an intriguing musical journey.

 

Esoctrilihum continues its highly personal musical exploration with the new opus 'Döth-Dernyálh'. The French project has delved into new territories with a more acoustic approach, while still maintaining its dedication to extreme metal. This album may not be the first one I would recommend from this project, as I personally feel that some moments lack brutality, which could have helped achieve a better balance. Nevertheless, the unfathomable and esoteric atmosphere of 'Döth-Dernyálh' makes it a captivating experience. (Alain González Artola)

 

(I, Voidhanger - 2024)

Score: 80

 

https://i-voidhangerrecords.bandcamp.com/album/do-th-derni-lh 

Soror Dolorosa - Mond

#FOR FANS OF: Gothic/Post Punk

The French band Soror Dolorosa, founded in 2001, has been one of the most interesting exponents of the revival of post-punk/gothic rock in recent years. The five-piece project took some time to release its first album, entitled 'Severance', but since then the band's discography has been impeccable, with the release of two excellent full-length albums up to this year. Yes, it is true that they haven't been particularly prolific, but quality is the main focus here, and Soror Dolorosa takes its time to carefully craft excellent pieces of music. I was captivated by them when I discovered these French guys with the fantastic 'No More Heroes'. I was very curious to discover what they could offer with the new album, which was set to be released seven years after the great 'Apollo'.

'Mond' is the name of the new opus released by the prestigious German label Prophecy Productions. The new effort will certainly satisfy the fans of the project and should continue attracting those who love the classic sound of bands like The Sisters of Mercy or Bauhaus, among many others. Their blend of cold wave with gothic rock and other influences, is perfectly balanced and sounds up to date, thanks to the exquisite icy-cold and crystal-clear production made by James Kent. The influence of the aforementioned legendary projects is clear, but Soror Dolorosa manages to capture their essence and update it accordingly. The band leader Andy Julia is certainly an essential part of the band’s success, with his melancholic and touching vocals that capture the very essence of the genre. From the powerful and super danceable opening track "Tear It Up", where it is almost impossible not to dance, to the most melancholic tracks like "Red Love", Andy shines in every note he sings. As you probably imagine, the album has its ups and downs in terms of intensity, combining more vivid tracks with the calmest ones. "Souls Collide" is a very interesting piece, as it combines calmer and more intense moments in a masterful way. Andy’s rich vocal range and emotional performance reach a high point here, leaving the listener in ecstasy. The album gains intensity again with excellent tracks like "Obsidian Museum" or "Broken Love". The latter one has a captivating synth-guided intro that catches your attention from the very first second, where the tasty bass and main guitars do the rest of the job, alongside, of course, with the always present top-notch vocals.

Soror Dolorosa continues its flawless career with its exquisite new album 'Mond'. There is not a single mediocre track among its nice pieces, where tasty melodies and enthralling vocals hypnotize the listener from the very beginning to the last single note. I have never been lucky enough to see them on stage, but I strongly recommend you give them a chance, as it must be a unique musical experience. (Alain González Artola)

(Prophecy Productions - 2024)
Score: 87

https://sorordolorosa.bandcamp.com/album/mond

Officium Triste - Hortus Venenum

#FOR FANS OF: Death/Doom

The Dutch veterans Officum Triste are for sure one of the most relevant projects in the doom metal scene. Founded 30 years ago, these veterans have a career full of great albums, although they haven’t been particularly prolific. But you know, it’s always clever to focus on quality rather than on quantity, and Officium Triste has followed this rule with a devoted constancy. As you probably imagine, there have been some line-up changes through its three decades of existence, although less than you could think. More importantly, a core trio remains since its inception, which probably explains how this band maintains its recognizable classic sound. This could be a bad thing if the inspiration drops, but thankfully Officium Triste has kept the passion alive, which is something remarkable.

Its combination of death and doom metal influences, with a strong atmospheric touch, has always been very appealing to me as this ambience enhances the beauty of its melodies. The new opus entitled 'Hortus Venenum' is not an exception. The balance between atmosphere and tasteful guitar melodies is again impeccable. Firstly, the production is just perfect, it’s equally clean and powerful, leaving each musician, including the always robust vocals, to shine when necessary. Structurally, the compositions don’t differ too much in its peace, a quite unsurprising fact if we have in mind that doom/death metal is not a subgenre known for its incredible tempo changes. In any case, the songs don’t sound absolutely monotonous as the band tries to add small variations in each composition. You can appreciate this effort between the first track, "Behind Closed Doors", and the second one entitled "My Poison Garden". The intense album opener contains everything you expect and love from Officium Triste. The guitar harmonies are top-notch. Their beauty is undeniable and combined with the piano/key arrangements the captivating moments come one after the other. Creating mesmerizing moments is something Officiam Triste can do as many times as they want, which speaks volumes about the band’s talent and passion. The initial part of "Anna’s Woe" is a fine example of it, with this marvelous ambient section led by delicate guitar and piano melodies. The rest of the album follows similar patterns and quality level, which makes the listener fully enjoy the experience. The album itself is not long at all, as it clocks around 41 minutes. The way you end an album is always a key moment, as it lets the listener with a lasting taste of the band’s work. Once again, the Dutch veterans know how to do the job properly. The last and longest piece, "Angels With Broken Wings", is a magnificently crafted composition with tons of exquisite melodies. It’s a remarkably slow song, but it shouldn’t be a problem for the accustomed listener, as the aforementioned melodies are a delicatessen of sonic nourishment for the listener.

In conclusion, Officium Triste has returned with a truly excellent new album. The greatness of its melodies and atmosphere clearly shows the amount of effort put by the band, and it is for sure a gift for its numerous fans. (Alain González Artola)

(Transcending Obscurity Records - 2024)
Score: 88

https://officiumtriste.bandcamp.com/album/hortus-venenum

Midnight Odyssey - Closer to The Sky

#FOR FANS OF: Atmospheric Black

The Australian project Midnight Odyssey is, for sure, one of the most respected projects in the atmospheric black metal scene. Dis Pater’s solo project has a unique approach to the genre, achieving an admirable masterfulness when we talk about creating captivating atmospheres. The project was founded back in 2007 and since then, Midnight Odyssey has released a good number of albums, showing that Dis Pater has never run out of ideas. Apart from the strong atmospheric approach, another characteristic of this project, has been that the compositions, and as a result, the albums themselves, are very long. This aspect has delighted some of his fans, while other fans of the genre complained that some albums could sound more focused if the length of the tracks would be shorter. Although I personally prefer shorter albums, I can’t deny the fact that I have enjoyed vastly lengthy albums like 'Shards of Silver Fade', for example. In any case, when Dis Pater has reduced a bit the length and has gone straight to the point, the result has been absolutely phenomenal. 'Biolume Part 1- In Tartarean Chains' was a clear example of it. Don’t get me wrong, the songs continue to be long, and the album lasts an hour, but in contrast to other lengthier albums, that opus can more easily be enjoyed if you are not a die-hard fan.

 

Taking into account the issue of the length, I was very curious to check out Midnight Odyssey’s latest output, an EP entitled 'Closer to the Sky'. This new opus contains four tracks and lasts less than 35 minutes. I can safely say that any fan of the project will be exultant with the result. These four tracks contain all the characteristics that have made this project so loved. Each song has its own personality and specific details. The EP opener, "Souls Left Wandering", is the heaviest track of the EP. The composition sounds powerful as it combines some tempo changes in a masterful way. The keys play an important role as always, but they share the job with the guitars and the always present powerful vocals of Dis Pater. If someone is a newcomer to the project’s music, this piece would be a nice one to discover what it can offer. The solemn ambience, a characteristic of Midnight Odyssey, becomes even more magnificent in the following track, entitled "Lightning Fall". Just listen to the intro, and you will immediately feel mesmerized by the grandeur of Dis Pater’s talent with the keyboards. As majesty domains the full track, the pace is slower, but I can assure that you won’t get bored if you like this kind of music. "Closer to The Sky" is another beautiful composition which includes the already known clean vocals of Dis Pater, which I personally enjoy quite a lot. The work behind to create delicate and beautiful melodies is excellent as always. If I should complain about something, I would maybe mention that a heavier track would have been a good idea, based on the fact that the last track, entitled "Awakening", is a pure ambient one. If you want to achieve a perfect balance between the more aggressive compositions and the most atmospheric ones, it would have been a good idea to include a track with a more vivid pace.

 

All in all, and even taking into consideration this minor complaint, 'Closer to the Sky' is an excellent work by Midnight Odyssey. The achieved quality creating captivating atmospheres is top-notch again, and I am sure that it will please the fans of the genre. (Alain González Artola)

 

(I, Voidhanger - 2024)

Score: 85

 

https://i-voidhangerrecords.bandcamp.com/album/closer-to-the-sky