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Visualizzazione post con etichetta Capitol Records. Mostra tutti i post
Visualizzazione post con etichetta Capitol Records. Mostra tutti i post

mercoledì 13 dicembre 2023

Megadeth - Youthanasia

#FOR FANS OF: Heavy/Thrash
This one doesn't pack the same punch as their previous 3-4 albums. It's more heavy metal based rather than thrash metal and the riffs aren't as catchy as 'Countdown To Extinction' but they're still good! It's just not so fantastic as the previous they seemed to get more seller out than anything else. But let's enjoy the Marty Friedman era of Megadeth. The riffs could've been better but still they're decent. The leads are alright, too! Dave seems to be a little bit whinier as well. I don't think anything could surpass Dave on their previous. Or even on 'Rust In Peace' and 'Peace Sells...But Who's Buying?'.

It's definitely milder than previous Megadeth releases. But that doesn't take away from the great guitar riffs and succinct leads by Dave and Marty. They both kick ass and it's to be this era of Megadeth to be the better. I'm not as familiar as the more modern playing of this band, I just know that I like the first two almost decades of the bands. Dave is always seeming to be in Metallica's shadow, or at least jealous of their success over Megadeth's. He definitely wanted a band that was heavier than Metallica but of course we know that Metallica took precedence over Megadeth, unfortunately. Maybe James's rhythms are catchier than Dave's could be it why they're favored?

The sound quality was definitely good, just like 'Countdown To Extinction' about the same. Just the music isn't as catchy as that album. But I still think it's worth a 75 rating, definitely. Some songs were really catchy and noteworthy. It's a step-down from 'Countdown...' but Dave shows that they still have it going strong. I always liked his songwriting. Even in Metallica, some of his riffs like in "Jump In The Fire" and "Phantom Lord" were some wicked riffs on those tracks. And on 'Peace Sells...', he came up with some amazingly catchy licks that are some of the best in the history of Megadeth (in my opinion).

For Megadeth fans, this isn't a disappointment. This is showing a somewhat milder more heavy metal type of gig than thrash metal. But they're still catchy with the songwriting and worth checking out if you haven't already. This is a way old album, but as you can see, I'm just getting around to writing about it. It's how far gone I am in Megadeth's discography. But this is because I only recently decided to give the band a fair shake which I've done. And I've found them to be among the greats. Look upon this as a victory for the band, not so much of a failure that Dave may think. Get it on CD or stream it or both! (Death8699)


(Capitol Records/UMe - 1994/2014)
Score: 75

https://www.megadeth.com/

domenica 21 agosto 2022

The Decemberists - What a Terrible World, What a Beautiful World

#PER CHI AMA: Indie Folk Rock
È tassativo non offuscare l'elemento di maggior fascinazione, vale a dire il nitore del songwriting di Meloy. Occorrono arrangiamenti accuratissimi ma trasparenti ("Spectoriani", li definisce giustamente qualcuno). Si spazia quindi dal pop-piano-da-radio (l'inspiegabile singolo "Make You Better") a certe caciare indie-'90 alla R.E.M. ("The Wrong Year"), al doo-wop pruriginoso mid-'60 ("Philomena") al "gospel bianco da convention democratica" (la definizione è sempre di quel qualcuno) della cripto-biografica "The Singer Addresses His Audience" (da confrontare con "Anathema" degli Anathema), alle dolenti e austere "Till the Water is All Long Gone" e "Carolina Low", collocabili tra i Dire Straits di 'Private Investigation' e il Roger Waters di 'Each Small Candle'. Buona parte dell'ultima facciata del vinile (la terza) sembra una sorta di doveroso tributo al folk di Dylan e Young, cui Meloy deve sicuramente molto più di una cena costosa. (Alberto Calorosi)

(Capitol Records - 2015)
Voto: 80

https://www.decemberists.com/

lunedì 13 giugno 2022

The Decemberists - The King is Dead

#PER CHI AMA: Folk Rock
L'impervio percorso artistico del più ingombrante genio del prog-nu-folk non facente sesso con le groupies, scivola per sottrazione con la stessa velocità di una discesa lungo la coclea di Fibonacci. Ma se è facile sottrarre da 'Crane Wife' (il quarto album della band statunitense) le progressioni progressive e mainstrimate mainstream, se è altrettanto facile sottrarre da 'Hounds of Love' certi arzigogolanti arzigogoli da 'Quesito con la Susi' o da ultimi Porcupine Tree, meno facile è sottrarre alle vivaci composizioni dei primi album dei The Decemberists quella rurale spontaneità che odora di cuoio e merda di vacca. 'The King is Dead' è la (meravigliosamente eseguita e impeccabilmente prodotta) teca di cristallo che espone il songwriting di Colin Meloy al massimo del suo talento creativo. Ascoltate questo album ogni volta che pensate di aver fatto una cosa di cui avete paura di pentirvi. Vale a dire, spesso. (Alberto Calorosi)

(Capitol Records/Rough Trade Records - 2011)
Voto: 75

http://www.decemberists.com/

lunedì 15 novembre 2021

The Decemberists - Florasongs

#PER CHI AMA: Indie/Folk
Se non fosse che Colin Meloy abbia candidamente dichiarato che questo 'Florasongs' rappresenti nient'altro che una manciata di outtakes di 'What a Terrible World, What a Beautiful World', questo EP suonerebbe alle vostre orecchie proprio come una manciata di outtakes di 'W-A-T-W'. Non è così, naturalmente, ma solo per causa della vostra innata bastiancontrarietà. Impossibile individuare incompatibilità tematiche, come invece accadde per l'EP 'Long Live the King' successivo a 'The King is Dead', dal momento che 'W-A-T-W' non è un concept. Troverete invece una manciata di canzoni altrettanto limpide, scartate da 'W-A-T-W' forse solo perché troppo simili ad altre ("Why Would I Now?"), oppure troppo differenti ("Fits & Starts"), oppure ancora perché troppo a metà strada tra il troppo simile e il troppo differente ("Stateside"). Cinque canzoni, diciannove minuti: una facciata di vinile. Prendete dallo scaffale la vostra copia di 'W-A-T-W', estraete il secondo vinile, quello con il lato B serigrafato invece che inciso. Bene, ora ascoltate questo 'Florasongs', interrogandovi nel frattempo sul significato di tutto ciò. (Alberto Calorosi)

(Capitol Records - 2015)
Voto: 68

http://www.decemberists.com/

venerdì 6 agosto 2021

Megadeth - Rust In Peace

BACK IN TIME:
http://www.secret-face.com/
#PER CHI AMA: Thrash/Speed
Probably my favorite Megadeth release to date. It's just melodic as all hell! That's what drove me to like this album! Dave sounds great, too! Especially on "Holy Wars..." and "Hanger 18." Megadeth has been such a huge influence in the metal community since they came about after Megadeth's great Dave Mustaine was fired from Metallica. They've been more consistent than that legendary band staying within the thrash/heavy metal roots. They never sold out, they always came back to write more great music but on 'Rust In Peace', the riffs were top notch, ABSOLUTELY!

Both Dave and Marty rip on the lead department! And the riffs are God-like. "Holy Wars..." probably my favorite song from the entire album. It's just so original and fresh. The intro to "Hanger 18" is killer too. But the whole album displays areas of amazing creativity by Dave mostly. I can't believe that Dave considers himself as a "failure" because of getting fired from Metallica. He's way better than he gives himself credit for especially for albums such as this and 'Peace Sells...But Who's Buying?' Amongst the countless other classics that Megadeth has contributed to the metal community!

The production was decent though it could've been a little better. But still, the album is ingenious! They deserve all the press that they get for this one and many others. Megedeth always came up with fresh riffs and on this one you'll hear what I'm talking about. These guys rip it up Nick and Dave Ellefson sounded great as well. Nick's passing at 51 was just way too young! And Dave now is out of the band permanently. What a waste. But his time with Megadeth was grand. New material is going to be out now too, but to reflect on this, Megadeth was at their primordial best and most creative. Other bands have duplicated riffs from them.

I had the cassette of this that's how old it is! But it's still a countless classic! They stayed great in the 80's and 90's but I kind of took a break from them in the later 90's and more recent albums. I kind of lost interest and wanted to focus only on the classics. Definitely a band that will never be able to duplicate. Only emulate. A lot of bands cover Megadeth songs and for a good reason: they AWESOME! I'm sure newbies to the metal scene need to get introduced to this album and other Megadeth albums that I mentioned. They're priceless! 'Rust In Peace' will go down as my favorite release of theirs ever! (Death8699)


(Capitol Records - 1990)
Score: 90

https://www.facebook.com/Megadeth