Fellwarden - Legend: Forged in Defiance

#FOR FANS OF: Atmospheric Black Metal

Fellwarden is a fascinating project born from the mind of the always creative musician, The Watcher, who is involved in several projects. Fen is, for sure, the most well-known of them and one of my favorite projects out there. While Fen successfully combines atmospheric black metal with some post metal/rock influences, Fellwarden was born with stronger ties to the first subgenre. The project was created back in 2014, and it has released two excellent albums, which are an honest musical proof of The Watcher’s immense talent and passion for this style.

As this year marks the tenth anniversary of Fellwarden, the English solo-project is back with its third installment, which is usually a crucial one because it usually shows if a project is capable of reaching a new point of evolution in its sound. The name of the new opus is 'Legend: Forged in Defiance' and the title itself shows a certain idea of how the album can sound. This is an effort that does not differ dramatically from its predecessors, but it surely has a stronger epic tone in their compositions. A preconceived feeling that is reinforced if you take a look at the majestic artwork, courtesy of the legendary Belgian artist Kris Verwimp. 'Legend: Forged in Defiance' contains six songs (seven if you have the limited edition), in which The Watcher unleashes his creativity with long and rich compositions, where all the traditional elements of this project can abundantly be found. The album opener "Exultance" is for sure a great choice to start listening the album. Ten minutes of pure atmospheric black metal with a majestic tone thanks to the addition of some clean vocals and an excellent powerful riffing. The classic raspy vocals are also there as a great contrast and have a great presence as you could expect. The ups and downs in the pace are excellently placed and make the song flow adequately, never letting it to sound predictable or flat. The combination of fast and slower sections varies in its distribution depending on the composition. In any case, mid-tempo sections, and even slow ones, are more prominent, like you can listen to in compositions like "Despair", which is clearly slower than the album opener. The subsequent track, "Renewed Hope", has a great contrast between the different sections of the composition.

"Desperation" is another excellent song, where the introduction of acoustic guitars, along with some touching clean vocals, creates an undoubtedly solemn and emotional atmosphere, excellently contrasted by the always necessary ferocious moments. The last part of the album follows very similar patterns, although the general pace is here predominantly slow, which is not actually an enormous issue. Nevertheless, at least for me, it leaves me with the feeling that the second half of the album lacks a bit of energy that some faster and heavier parts would give. From my point of view, this contrast between the solemn mid-tempo/slow parts and speedy sections would be beneficial for the album as whole.

All in all, 'Legend: Forged in Defiance' by Fellwarden is an excellent album. The tasteful and enriching compositions, the epic general tone and the great performance by all instruments and vocals, weights more than the occasional feeling in the final part of the album, that this effort lacks some ferocity. (Alain González Artola)

(Eisenwald - 2024)
Score: 82

https://fellwarden.bandcamp.com/album/legend-forged-in-defiance

Cantique Lépreux - Le Bannissement

#FOR FANS OF: Black Metal

The always prolific scene from Québec brings us again some quality stuff, and as usual, it is something strongly connected to its superb black metal scene. This time it is the turn of Cantique Lépreux, a band formed ten years ago in Quebec City. Its four current members are also quite active in the scene, particularly the three founders, who are involved in several projects. This makes clear the close relationship between the different projects and how involved the musicians are. Although the band’s first years were quite active with the release of two very solid albums, it has taken much more time for the new opus to see the light of the day. The result initially seems to be quite good, the reason why the well-established label Eisenwald has decided to release it.

 

'Le Bannissemnt' is the name of the new beast, and it has most of the characteristics of this local scene. To be fair, the projects that I have listened to have their own distinctive point, but in general you can feel that the full scene shares some aspects that make it easy to identify a band from Quebec. Cantique Lépreux is not an exception, as its black metal has a distinguishable aspect that makes you know immediately its origin. Tremolo picking guitars reign here with an excellent work, accompanied by the characteristic agonic shrieks and a mainly quite fast pace through the whole album. Remarkably powerful tracks like the album opener "Le Revissement" and last track "Consécration" are the perfect examples. They go straight to the bone, with ferocious and fast-paced drums and some intimidating powerful screams. The tremolo riffing, so characteristic of the genre, is totally dominating here with an impeccable performance, full of excellent riffs. These are the type of tracks that must make the audience go mad on the stage, for sure. A longer track like "Riviéres Rompues" also shows that the guitar players can add more variation to the riffs. The addition of some nice solos, which are perfectly well performed, is also enriching. There are not a lot of calm moments on this album, and honestly, one of the fewest that the listener will encounter are found in "Le Rêve Primordial". This composition contains some mid-tempo and even slower sections, which mark a good contrast to the domination fast ones. Some acoustic guitars are also included, a fact that, coupled with the more diverse pace, makes this song the most varied one of this album.

In conclusion, 'Le Bannissement' is a quite good album from Cantique Lépreux. It doesn’t revolutionize the local scene, but it offers exactly what the listener wants. Its seven very solid compositions, with an excellent guitar work and an undoubtedly energetic pace all along it, will surely satisfy you. (Alain González Artola)

(Eisenwald - 2024)

Score: 75

https://cantiquelepreux.bandcamp.com/album/le-bannissement

Fluisteraars - De Kronieken Van Het Verdwenen Kasteel - II - Nergena

#PER CHI AMA: Pagan Black

Ho recensito la prima parte di questo trittico di EP 10", degli olandesi Fluisteraars, mi sembrava quindi doveroso darvi un feedback anche sul secondo capitolo, in attesa del terzo atto. Beh, la band la conoscete, auspico tutti, e si fa portavoce di un black furioso, mistico e misterioso. Le melodie di "De Maan, Zon Van de Doden", che aprono 'De Kronieken Van Het Verdwenen Kasteel - II - Nergena', minimizzano quell'incedere distruttivo ma, direi meraviglioso, che contraddistinguono il pezzo. Un eco dei Negura Bunget a livello percussivo e nell'utilizzo di inusuali strumenti sonori, accompagnati dalle catramose vocals di Bob Mollema, mi fanno sussultare dalla sedia per un brano che vede un finale più doomish e venato da tinte folkloriche. Spettacolare, cosi come auspico lo sia altrettanto il side B del disco, "De Mystiek Rondom de Steen des Hamers". E questa, pur risultando in apparenza più lineare del side A, non delude le aspettative, e nella sua maestosa epicità, conferma la bontà della band olandese e una crescita musicale davvero invidiabile. (Francesco Scarci)

(Eisenwald - 2023)
Voto: 72

https://fluisteraars.bandcamp.com/album/de-kronieken-van-het-verdwenen-kasteel-ii-nergena

Ashtar - Wandering Through Time

#FOR FANS OF: Black/Doom

During its over a decade of existence, the Swiss project Ashtar hasn’t been particularly active, as it has only released two albums until 2023. But as it usually happens, the quality has more importance than the quantity, and this formerly duo released two interesting albums which were worth of our time. And I say formerly, as since 2022 Ashtar has been reduced to a solo project as the Finnish musician Lehtinen is out of the band. As a consequence of this, Nadine Lehtinen, as known as ‘Witch N’ will take the duties of composing and releasing the upcoming albums, while the last offer, entitled 'Wandering Through Time', has yet been composed by the original duo. 

 

As it happened with this predecessor 'Kaikuja', the new opus is released by the well-known label Eisenwald. Ahstar’s musical formula is an interesting combination of black and doom metal. Nadine’s vocals have a distinctive black metal touch, as they are raspy and high-pitched. Pace-wise the music is undoubtedly influenced by the slower rhythm so common in the doom metal genre, while the guitar riffs have a mix of both genres, tending to a sound closer to one or another genre depending on each moment. When we talk about the pace, a song like "Deep Space and High Waters" clearly tends to a sound more doomish as it has a more mid-paced structure, although Ashtar tries to vary the pace of the track as it advances just to avoid sounding predictable and too monotonous. In any case, as the album goes on, the tracks are more heavily influenced by doom metal as their pace is slower and the riffs sound even more crushing. A clear example of it, is the long album closer "I Want to Die", which is actually a cover by Post Mortem, but it perfectly reflects how the album sounds. The first half of this effort, on the other side, is a bit more diverse in terms of structure and pace, as the black metal influence here is a bit stronger. This successfully adds some energy in the compositions, as in the aforementioned third track, but especially in the first two songs. The second track, entitled "The Submerged Empire", is my favorite one. The guitar work is excellent with some addictive melodies and the second half of this track contains some interesting surprises. For example, a remarkably beautiful violin interlude which is totally unexpected. This calmer and more delicate section is followed by a heavier one, which suddenly gains a lot of speed and fury. This ferocious final section is ended by a second and equally beautiful apparition of the violin which ends the song in style. 

In conclusion, 'Wandering Through Time' is a solid effort which would be a more inspired and interesting album, if the second half of the album would contain more diversity in its pace and a stronger black metal influence, as it can be heard in the first tracks. I honestly think that Ashtar’s music benefits itself from this more balanced mixture as it sounds more captivating. (Alain González Artola)

 

(Eisenwald - 2023)

Score: 70

 

https://ashtarofficial.bandcamp.com/album/wandering-through-time

Afsky - Om Hundrede År

#PER CHI AMA: Depressive Black

Gli Afsky sono una one-man band danese guidata da Ole Pedersen Luk, che ha rilasciato quest'anno il nuovo album, 'Om Hundrede År', un'offerta inquietante e atmosferica, che ci immerge nella maestria musicale del mastermind nordico, sia per temi lirici che impatto generale sul genere. 'Om Hundrede År' mette in mostra il talento innegabile del polistrumentista nel creare paesaggi sonori cupi ed atmosferici sin dall'iniziale "Stormfulde Hav". L'album intreccia intricate melodie di chitarra, potenti percussioni e anche elementi ambient. Ogni traccia è meticolosamente arrangiata, permettendo alla musica di fluire e refluire, creando in tal modo un'esperienza coinvolgente per l'ascoltatore. Le voci inquietanti di Ole Luk aggiungono un'energia cruda e struggente all'insieme della composizione dell'album. Le sue urla angoscianti unite ad un cantato a tratti più melancolico, catturano perfettamente l'oscurità ed l'atmosfera introspettiva dell'album. Se poi ci mettete anche liriche profondamente radicate in tematiche di disperazione, isolamento e oscurità dell'esistenza, potrete lontamente immaginare con cosa avere a che fare. Tuttavia, i testi in danese, pur evocando un senso di nostalgia e introspezione, non ci aiutano a scoprire ulteriormente le sfumature qui contenute. Gli Afsky comunque provano a spingersi oltre i confini del black metal, offrendo una miscela di elementi atmosferici, melodie e aggressività pura che provano a distinguerlo nella vasta scena del black metal, esplorando nuovi territori ed emozioni con grazia ed intensità. Alla fine 'Om Hundrede År' è un'esperienza di black metal coinvolgente e al tempo stesso inquietante soprattutto laddove i nostri cercano di sedurci con chitarre acustiche (tipo la potente "Tid") o passaggi in tremolo picking che smorzano quel filo di brutalità che permea comunque l'album. (Francesco Scarci)

(Eisenwald - 2023)
Voto: 70

https://afsky.bandcamp.com/album/om-hundrede-r

Iskandr - Spiritus Sylvestris

#FOR FANS OF: Dark/Post Punk

Evolving so much from the seminal sound until the music is remarkably different from what we knew, it’s not something uncommon in the black metal genre. The legendary Norwegian project Ulver is an extreme example of it, so its not a complete surprise to see how the Dutch duo Iskandr has changed with its new opus 'Spiritus Sylvestris'. In any case, I wasn’t expecting such a step forward in its evolution, as its previous albums, from the debut album 'Heiling Land' to the latest one ‘Vergezicht’ showed an evolution, yet the black metal elements were still a core of its sound.

With ‘Spiritus Sylvestris’ any of the aforementioned black metal elements, as the shrieks, raspy guitars or speedy drums are completely gone. The new opus has a strong influence from genres such as darkwave, post-punk, just to mention a few. The vocals remind me especially these genres as they are clean voices with a strong melancholic touch (and chanting/ndr) as we can appreciate in a song like "Waterwolf", for example. This track has a more percussive and lively rhythm mixed with an ethereal atmosphere, especially when some cool old school synthesizers are added to the composition. This right blend of elements makes this track my favorite one. The low tuned/baritone subtle guitars have a quite monotonous pace in general terms, and although the mentioned track has a slightly greater variation, other tracks like "Hoor het Smeken" or the lengthy "Hof der Valken" contain little variation in their pace. It is the album closer "Nachtvorst" which saves the day, having again the more upbeat and energetic pace that "Waterwolf" has, which sincerely works very will with this music style.

Although ‘Spiritus Sylvestris’ might be a pleasant listen for those who enjoy genres like darkwave and post-punk, my honest opinion is that this album lacks some strength and variation in its structures. There are some nice moments and melodies here and there, but at least for me, if this was the direction they wanted to follow, some more power would be a welcome addition. Some will disagree, but my feeling is that this album lacks the strength of a powerful post-punk album and at the same time the more present ambience of a pure darkwave album. So, it falls in the middle of both approaches, lacking something from both. (Alain González Artola)

(Eisenwald - 2023)
Score: 62

https://iskandr.bandcamp.com/album/spiritus-sylvestris