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| #FOR FANS OF: Atmospheric Black |
Noltem is a tree-piece band coming from Connecticut, US. It was founded in 2003 by Max Johnson and it seems that for some reason, the mastermind spent many years without being particularly active, with only one demo released in 2005. Fortunately, the inclusion of a drummer into the line-up, Johan Kerr, also as singer, reactivated the project with a release of a second EP in 2015. The return to a more active life of the band was finally fulfilled with the incorporation of a third member in 2018, Shalin Shah, who plays the bass. Noltem, at that point finally a trio, worked hard to present a debut album that would make possible to give some notoriety to this obscure project.
Twenty-twentyone is the year when Noctem’s full length has finally seen the light of the day, with the support of the always active label Trascending Obscurity Records. 'Illusions in the Wake' is the title of their debut, which contains seven songs, lasting around forty minutes. The colourful artwork, which depicts a misty mountainous landscape, rightfully represents the band’s musical vision as there is a quite clear strong connection with nature. This closeness is not only lyrically, which is easily demonstrable taking a look to the nature and mystical-themed lyrics, but also musically, as Noltem plays a very personal atmospheric black metal with some folky connections. This influence is not so obvious, although it can be felt in the way the melodies are build and played. The album begins with "Figment", where the guitars play a key role. The riffing is tasteful and mesmerizing displaying a variety of different melodies in terms of textures and richness. The strength of the guitars marks the intensity of the song with some nice up and downs, enriched by some acoustic sections which are simply beautiful. The drums are solidly played and establish the necessary ground for the songs, where the vocals have a deep tone, like being in a mid-point between the death metal vocals and the black metal ones. As said, the intensity varies very frequently, having this song a multitude of tempo-changes, which is always a good proof, when it is done in the right way, that the composition has a great amount of work behind it. The homonymous track offers another menu of excellent melodies, accompanied by slightly more rasped vocals and some clean voices in the background. One of the melodies even has a a bit of medieval touch reminding me the excellent Obsequiae. I don't know if this was made on purpose, but this is what I felt and I sincerely have no complaints about this influence. As the album goes on, the songs seem to take a more intimate tone in certain moments, having a greater contrast between the heaviest sections and the softest ones. This is something I notice in "Beneath the Dreaming Blue", mainly in the initial part which progressively carries to a final heavier section; the opposite is done in "Ruse". This song has a quite intense beginning which hits you, then the pace and the intensity progressively slow down, offering to the listener a clearly calmer and more, as said, intimate tone which is quite hypnotic. The album closer, entitled "On Shores of Glases", includes some hypnotic melodies and even a psychedelic section, making it the most different and experimental track of the whole album. It may not be my personal favourite, but it’s a good way to close thi work, as it keeps the general absorbing tone of this record and it doesn't lack the expected good dose of nice melodies.
To conclude, 'Illusions in the Wake' is definitively a very good platter with a quite personal sound thanks to the great amount of work put in the compositions. The guitars are excellent and always display a great palette of colours in terms of melodies. The compositions try to avoid sounding stereotyped and create a quite absorbing atmosphere. (Alain González Artola)
Twenty-twentyone is the year when Noctem’s full length has finally seen the light of the day, with the support of the always active label Trascending Obscurity Records. 'Illusions in the Wake' is the title of their debut, which contains seven songs, lasting around forty minutes. The colourful artwork, which depicts a misty mountainous landscape, rightfully represents the band’s musical vision as there is a quite clear strong connection with nature. This closeness is not only lyrically, which is easily demonstrable taking a look to the nature and mystical-themed lyrics, but also musically, as Noltem plays a very personal atmospheric black metal with some folky connections. This influence is not so obvious, although it can be felt in the way the melodies are build and played. The album begins with "Figment", where the guitars play a key role. The riffing is tasteful and mesmerizing displaying a variety of different melodies in terms of textures and richness. The strength of the guitars marks the intensity of the song with some nice up and downs, enriched by some acoustic sections which are simply beautiful. The drums are solidly played and establish the necessary ground for the songs, where the vocals have a deep tone, like being in a mid-point between the death metal vocals and the black metal ones. As said, the intensity varies very frequently, having this song a multitude of tempo-changes, which is always a good proof, when it is done in the right way, that the composition has a great amount of work behind it. The homonymous track offers another menu of excellent melodies, accompanied by slightly more rasped vocals and some clean voices in the background. One of the melodies even has a a bit of medieval touch reminding me the excellent Obsequiae. I don't know if this was made on purpose, but this is what I felt and I sincerely have no complaints about this influence. As the album goes on, the songs seem to take a more intimate tone in certain moments, having a greater contrast between the heaviest sections and the softest ones. This is something I notice in "Beneath the Dreaming Blue", mainly in the initial part which progressively carries to a final heavier section; the opposite is done in "Ruse". This song has a quite intense beginning which hits you, then the pace and the intensity progressively slow down, offering to the listener a clearly calmer and more, as said, intimate tone which is quite hypnotic. The album closer, entitled "On Shores of Glases", includes some hypnotic melodies and even a psychedelic section, making it the most different and experimental track of the whole album. It may not be my personal favourite, but it’s a good way to close thi work, as it keeps the general absorbing tone of this record and it doesn't lack the expected good dose of nice melodies.
To conclude, 'Illusions in the Wake' is definitively a very good platter with a quite personal sound thanks to the great amount of work put in the compositions. The guitars are excellent and always display a great palette of colours in terms of melodies. The compositions try to avoid sounding stereotyped and create a quite absorbing atmosphere. (Alain González Artola)
(Trascending Obscurity Records - 2021)
Score: 80
https://noltemband.bandcamp.com/album/illusions-in-the-wake-atmospheric-black-metal
Score: 80
https://noltemband.bandcamp.com/album/illusions-in-the-wake-atmospheric-black-metal