Mystras - Empires Vanquished and Dismantled

#FOR FANS OF: Medieval Black

During the last two years the Greek scene has given so many great albums that it is quite difficult to highlight which ones have been the best. In any case, one solo-project has caught my attention already after its excellent debut. This project is called as Mystras and it was founded in 2019 by Ayloss, an artist involved in many different bands, being the most well-known, at least for me, Spectral Lore. Mystras debut album 'Castles Conquered and Reclaimed' received quite good reviews as it was an excellent example of black metal with a raw yet melodic nature. It also had a quite particular concept, as the project could be defined as medieval black metal, but focused on the point of view of the working class people of that time and with an anti-imperialistic approach, due to its underlying left-wing ideas.

The debut album left the fans waiting for the next step as it seems that Ayloss has many ideas as he only needed one year to release it sophomore effort entitled 'Empires Vanquished and Dismantled'. Although it was difficult to improve the surprising debut, I can safely say that this new effort is, at least, on the same level with its predecessor. Again, what we can find here is a medieval black metal which musically can be defined as raw black metal, with a combination of straightforward fury, pure rawness, an unquestionable melodic touch, and some delicate and tasteful folk touches here and there which make us travel to ancient times. It is not easy at all to combine all these elements which, at first glance, would have difficulties to cohabit, but Mystras has the talent and ideas to merge them appropriately. The production seems to have made a step forward in terms of balance. The sound is still raw, particularly in the line of the guitars, but they sound a bit cleaner and not so distorted and fuzzy as they sounded in the debut album. I think this is an adequate change, though some may prefer the previous production, even though I am pretty sure that no one will accuse this album of sounding too polished, that’s for sure. As it happened in the debut, 'Empires...' has again a superb work in the guitars, being the shining instrument through the whole album. Just check out the impressive first single of this album, "The Fall Of The Kingdom of Jerusalem", where the listener can appreciate a torrent of riffs through this monumental piece of fourteen minutes, where there is room for brutality, speed, slower sections and lots of melody behind the crude production. The album, as this track, is full of ups and downs in terms of intensity, combining furious pieces as "On the Promises Of Angels" or "To The Builders!", where it is literally impossible not to break your neck headbanging in certain moments, with atmospheric folkish pieces like the delicate and beautiful "Ah Ya Zein", or the more tribal and mysterious "Cheragheh Zolmezalem". The remarkable point here, is that these pieces are excellent and keep the listener in the correct mood to stay interested in the music, something that doesn´t happen many times as I have personally considered the albums that contain many instrumentals, a bit unbalanced and unfocused. Thankfully, this is not the case. 'Empires Vanquished and Dismantled' has a top-class ending with two great tracks, which maintain the extraordinary equilibrium between the fury and the aforementioned melodic touch. I personally highlight the album closer "In The Company of Heretics" which summarizes all the characteristics of the Mystras sound. The initial impetus, with the relentless blast-beats accompanied by the sharp riffing, progresses to a more mid-tempo section which sounds truly epic, thanks to the inclusion of a clean vocal choir in the background and, again, a tasteful guitar work, whose melodies are, once again, superb. The song and the album beautifully end with some very nice acoustic chords, what a great way to close this second chapter in Mystras existence.

For the second time in only one year Mystras has created an impressive piece of black metal, full of interesting elements and great compositions. The combination of rawness and melody is again original and top-notch, making 'Empires Vanquished and Dismantled' an excellent record. (Alain González Artola)

(I, Voidhanger Records - 2021)
Score: 85

https://i-voidhangerrecords.bandcamp.com/album/empires-vanquished-and-dismantled

Mystras - Castles Conquered and Reclaimed

#FOR FANS OF: Medieval Black

Two thousand twenty is being undoubtedly a brilliant year for the Greek metal scene, particularly in the black field, with excellent albums coming one after another. Sometimes these new works are opuses from veteran bands and other times they represent the first work of novel bands. In any case, quality and a good taste for melodies are always present, regardless of the degree of heaviness or rawness that each project delivers. Speaking about new projects, the Greek solo project Mystras has recently released its debut album. This project was founded only one year ago by Ayloss, a talented musician behind other interesting projects like Divine Element and especially Spectral Lore, a great atmospheric black metal band which I firmly recommend. Taking into account the previous projects, it is pretty clear that Ayloss has a huge number of ideas to develop in different directions. Mystras may have inherited some influences from other projects like the aforementioned Spectral Lore, its folkish melodies, or aggressiveness but focused on a totally new and different direction.

‘Castles Conquered and Reclaimed’ is the Mystras debut album and it supposes a tremendously personal and particular fusion of pure black metal aggression with a strong medieval vibe. The interesting aspects of this impressive debut are not only found in the music, but also in its conceptual side. In fact, the lyrics are based on the medieval times but this time they take from the oblivion of common folk instead of the traditionally arrogant and powerful kings and nobles. The album consistes of nine different tracks, being divided into the black metal ones and some folk interludes which bring to us the medieval traditional music and therefore, reinforcing the medieval atmosphere included. Although this is a solo project, Ayloss was helped by other talented musicians to provide an undoubtedly beautiful representation of Ars Nova repertoire. I sincerely think that this was a wise choice as the musician shows that he wants to achieve the best possible result for the album. Even though these tracks are really nice and enjoyable, I would focus on the metal tracks to make a final and fair evaluation of this debut. ‘Castles Conquered and Reclaimed’ has a truly raw production, which may alienate fans of metal who prefer a cleaner production, but it will rejoice those who consider that black metal achieves a greater result when the production is filthy because it creates a more unique and stronger atmosphere. Nevertheless, this raw production never surpasses a limit where guitars could be unintelligible. Fortunately, composition-wise this album has certain strong points that can still be enjoyed, through the crude sound. Five are the compositions inside the realms of black metal. All of them are highly enjoyable and with a truly epic atmosphere. The songs are usually fast, though sometimes they slow the pace in order to add some variety. The guitars are powerful presenting a distorted sound, though some great melodies are introduced, making the songs more interesting. Vocals are also a strong point here, with the expected high-pitched screams, accompanied in several songs by epic choirs, so impressively solemn that reinforce the sense of epicity and majesty. In the background, we find some key arrangements which play ai important role in increasing the stateliness of these compositions. The album opening track is a nice example of this mix of influences and resources. The guitars are rude but also melodic, showing a remarkably interesting sound, that even being brutal in its execution has a great room for melody and atmosphere. Subsequent tracks like "The Murder of Wat Tyler" and "Storm the Walls of Mystras" raise the bar of majesty with a long duration, and where melodic influences, a strong epic atmosphere and relentless fury are wisely fused. The medieval vibe is obviously present in all the tracks, though I must highlight songs like "The Zealots of Thessaloniki" and the aforementioned "The Murder of Wat Tyler" as fine examples of this influence. The previously mentioned folk and ambient songs serve as a bridge between the stormy track and reinforce this sense of a mystical journey through medieval realms.

‘Castles Conquered and Reclaimed’ is indeed an impressive debut that any fan of black metal should check out and enjoy. Fury, melody and atmosphere are the quintessential elements of the black metal genre and this album contains a great dose of all of them. (Alain González Artola)

(I, Voidhanger - 2020)
Score: 88

https://i-voidhangerrecords.bandcamp.com/album/castles-conquered-and-reclaimed