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Visualizzazione post con etichetta Arch Enemy. Mostra tutti i post
Visualizzazione post con etichetta Arch Enemy. Mostra tutti i post

martedì 3 giugno 2025

Arch Enemy - Blood Dynasty

#FOR FANS OF: Melo Death
Thank you, Michael, for bringing back a lot of the old material-type melodic death metal sound! This is in a modern world where pure talent reigns supreme over AI generated recycled rubbish. This release and 'Deceivers' (2022) are my favorites of theirs in the “Alissa generation” of Arch Enemy. I feel that this is the best effort she’s had since being in the band. She incorporates her guttural sound, mixes a little of The Agonist metalcore of herself (which is something I have yet to hear), and has a little version of her clean voice, something I’ve never heard either.
 
In evaluating the intense music as it relates to the guitar sounds/riffs, I'd have to say that they're continuing to exhibit the old "heavy" types of execution. However, I do think that there is more emphasis on that than their notorious outro melodies, which shaped their unprecedented sound and ability to captivate listeners. The differences in 'Blood Dynasty' (to me) is that while maintaining their ultimate heavy riffing, there are songs that still reflect the Arch Enemy of the old. They're not as prominent, but they are still there. Even a track there that's completely slow and played with clean guitar. I'll discuss a little more next, with a little more background, especially with new listeners of Arch Enemy, since the band has been around since 1996.

The music here is more in the vein of the band when Christopher was still around in the recording for 'Rise of the Tyrant' (2007) era. Some of the guitar music is very much in retrospect of that time. And Alissa’s dirty vocals remind me a lot of when Angela was still with them on frontman duties. Joey (guitars) played on Christopher’s Armageddon albums 'Captivity & Devourment' (2015) and 'Crossing the Rubicon (revisited)' (2016). He has been a long time Arch Enemy fan. He’s only 34, but the guy is wicked on lead. I feel this is a collective effort with the band, letting rid of recycled sort of melodic metal music replacing it with the melodies that shaped Arch Enemy’s signature sound, especially in the early era when Johan was on vocals (the first 3 LPs). You don’t hear as much melodic sound on this as was on the early days of Arch Enemy with songs such as "Fields of Desolation" (1996), "Bridge of Destiny" (1998), "Pilgrim" (1999) and "Burning Angel" (2001). 'Blood Dynasty' is heavy, but the emotional sounds are once again fairly evident. You can hear the passion once again in the music. That shaped their sound in the beginning which gradually dissipated over the years leaving fans in disappointment. This particularly was evident on multiple LPs when Angela was still with the band. When Alissa took over the position more than ten years ago, there were some releases that were complete flops. Albums such as 'War Eternal' (2014) and 'Will To Power' (2017) had maybe 1/2 songs that were “OK”, but they lacked that signature sound that was captivating that Arch Enemy fans from the get-go, especially their Japanese fans. This album is the epitome of their selective sound, abdicating the “they’re pretty bogus” type of opinions about the band leaving the listener now in excitement and curiosity about this release and what’s to become in their immediate future, especially now since they are now middle-aged musicians (except for Joey).

Speculation regarding Michael’s playing/songwriting with Arch Enemy is that yes, he has always been that, more of an “emotion based” guitar player. His brother is way more on the technical side, which is where Joey reflects on here. It’s a good combination and the recording was quite good, nor can I find anything that they did not do wrong here. The rebirth of the old yet again that confidence in their sound proving that, and they’ve still got it!

If you agree that what’s been said of this LP is accurate, then buy the digipack or digital recording. Show the band respect for creating something that this time around is worth it and was worth living up to the hype! (Death8699)


lunedì 29 agosto 2022

Arch Enemy - Deceivers

#FOR FANS OF: Melo Death
This is definitely a solid more consistently good release than their predecessor 'Will To Power'. It has good rhythms and melodies that they seemed to go back to but never as good as the first three Arch Enemy albums in their established discography. I don't think it's ever going to be what it once was but at least they're making new albums. Alissa has better vocals than Angela to me but Johan fit in the first three releases. They had hallmark rhythms in the early days that 'Deceivers' seemed to touch upon. And with Jeff Loomis on lead guitar fits where Nick I don't think did and Christopher yes in the early days.

AE is Michael's band after he left Carcass spending time working on two albums with them 'Necroticsm' and 'Heartwork'. I suppose he wanted his own style of melodic melodies and so forth. 'War Eternal' got a lot of negative press too being there were only 3 songs that I care to listen to. But 'Deceivers' seems to be a rebirth of magic melodies that they've constructed. And Alissa is consistent as well lighting up with her brutal vocals some clean, too! But not many at that. I believe that this is an album with multiple combinations of clean, heavy and heavier guitars with Jeff contributing his lead guitar amazing licks.

It seems as though there's multiple contributions in the songwriting, though I believe Michael still has the bulk of the songwriting and melodies. This is a pretty fresh hitting release but with Angela, 'Wages of Sin' probably was her best. For Alissa, this is her best most diverse attack on the vocal department. These guys refuse to go away. I tell you, some of the songs they released before this album came out I didn't like. But when I heard the whole album it reigned supreme. It's not entirely brutal, there are segments of clean vocals and melodies. But it seemed to fit in the direction it took with a more progressive type of melodic death.

I had to order this CD because I think it's one that I'm going to play to death. A lot on here I hold to be true to what metal I'm in favor of. The guitars have a lot of highlights. And the vocals as well. Production quality is fantastic which made the album more likable. I didn't rate this higher than a "75" because I think it didn't hit higher than that mark. Pose more melodic riffs I would've probably hit a higher score of. But yes, this didn't to me deserve any negative marks really. A really well arranged melodic death metal release that they can chalk up to a successful contribution to the metal community. (Death8699)


(Century Media - 2022)
Score: 75

https://www.archenemy.net/en/