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mercoledì 13 dicembre 2023

Megadeth - Youthanasia

#FOR FANS OF: Heavy/Thrash
This one doesn't pack the same punch as their previous 3-4 albums. It's more heavy metal based rather than thrash metal and the riffs aren't as catchy as 'Countdown To Extinction' but they're still good! It's just not so fantastic as the previous they seemed to get more seller out than anything else. But let's enjoy the Marty Friedman era of Megadeth. The riffs could've been better but still they're decent. The leads are alright, too! Dave seems to be a little bit whinier as well. I don't think anything could surpass Dave on their previous. Or even on 'Rust In Peace' and 'Peace Sells...But Who's Buying?'.

It's definitely milder than previous Megadeth releases. But that doesn't take away from the great guitar riffs and succinct leads by Dave and Marty. They both kick ass and it's to be this era of Megadeth to be the better. I'm not as familiar as the more modern playing of this band, I just know that I like the first two almost decades of the bands. Dave is always seeming to be in Metallica's shadow, or at least jealous of their success over Megadeth's. He definitely wanted a band that was heavier than Metallica but of course we know that Metallica took precedence over Megadeth, unfortunately. Maybe James's rhythms are catchier than Dave's could be it why they're favored?

The sound quality was definitely good, just like 'Countdown To Extinction' about the same. Just the music isn't as catchy as that album. But I still think it's worth a 75 rating, definitely. Some songs were really catchy and noteworthy. It's a step-down from 'Countdown...' but Dave shows that they still have it going strong. I always liked his songwriting. Even in Metallica, some of his riffs like in "Jump In The Fire" and "Phantom Lord" were some wicked riffs on those tracks. And on 'Peace Sells...', he came up with some amazingly catchy licks that are some of the best in the history of Megadeth (in my opinion).

For Megadeth fans, this isn't a disappointment. This is showing a somewhat milder more heavy metal type of gig than thrash metal. But they're still catchy with the songwriting and worth checking out if you haven't already. This is a way old album, but as you can see, I'm just getting around to writing about it. It's how far gone I am in Megadeth's discography. But this is because I only recently decided to give the band a fair shake which I've done. And I've found them to be among the greats. Look upon this as a victory for the band, not so much of a failure that Dave may think. Get it on CD or stream it or both! (Death8699)


(Capitol Records/UMe - 1994/2014)
Score: 75

https://www.megadeth.com/

venerdì 30 marzo 2018

Styx - The Mission

#PER CHI AMA: Hard Rock
L'ultimo album in studio degli Sty(ti)x (suvvia, il precedente 'Cyclorama' era del 2003) è un temerario sci-fi concept sulla prima missione umana su Marte, prevista, nell'opinione di Superpippo Shaw, nell'anno del signore 2033 (dilettatevi a individuare nei testi sbragonerie del calibro di "Hands on the wheel of my rocket mobile / and I'm a hundred million miles from home", dalla song "Hundred Million Miles From Home"). Quattordici stazioni narrativamente ultracanoniche a formare una specie di Via Martis motorizzata. Accensione dei razzi (una Asia/ticissima "Overture" power-prog), decollo (la Uriah-propulsiva "Gone Gone Gone", indovinato primo singolo), distanza da casa (il glam clap-clap di "Hundred Million Miles From Home"), paura di non farcela ("Trouble at the Big Show"), considerazioni (la gilmouriana "Locomotive"), cartoline dallo spazio profondo (i Queen-of-the-world ipermelodici di "Radio Silence"), esistenzialismo cosmico (la ponderosissima Queen-tale "The Greater Good"), un altro po' di esistenzialismo cosmico ("Time May Bend"), atterraggio/casini-col-motore/paura ("Red Storm"), no-ovviamente-è-tutto-a-posto ("All Systems Stable"), apertura del portellone ("The Outpost"), conclusioni/ faccenda-del-piccolo-grande-passo/ pippone-saluti/ ringraziamenti (una power-melo ancora più Asia/ticissima "Mission to Mars"). Il sedicesimo album degli Styx si colloca sulla rotta astral-melodic-hard-ruffianesimo tracciata tra il 1977 e il 1981 dagli alter-ego degli Sty(ti)x, i Prolyfix (quattro album in sei anni. Decollo: 'The Grand Illusion', atterraggio: 'Paradise Theatre'), senza utilizzare una singola molecola di propellente all'idruro di nostalgismo e destreggiandosi con consumata perizia e comprovata professionalità all'interno di una vera e propria tempesta di asteroidi del ridicolo. Vi pare poco? (Alberto Calorosi)

(UMe - 2017)
Voto: 75

http://styxworld.com/band