Ritual Fog - But Merely Flesh

#FOR FANS OF: Death Old School

As it happens with other metal genres, metal has evolved through the years, modernizing its sound and incorporating new elements. This has led to some bands mutating their sound to something more melodic and crystal-clean, while others have taken a step forward in the realms of brutality and insane intensity. In any case, as has happened with the black metal sub-genre, many old bands and some newcomers, retain the torch of the old sound with immaculate devotion. The USA-based band Ritual Fog is one of the latter cases. This young project released just an EP prior to signing an agreement with the reputed label Transcending Obscurity Records, which speaks volumes about its potential.

'But Merely Flesh' is the first full-length album by Ritual Fog, and it unequivocally breathes true passion for the old metal sound. All the elements contained in this album stay true to this path, beginning with the production. The sound isn’t exactly what you would expect from a metal album released in the beginning of the '90s, but it is very, very close to it. Overall, the result is very good as it maintains a good balance between having the rough and crunchy touch of the old albums but sounding clean enough to appreciate the performance of each instrument. Nevertheless, the way the guitars or the drums sound will surely bring you memories of the classic efforts. As with the instrumental base, the vocals’ approach also follows the old path. Ian’s voice is not particularly low-tuned as it happens with many modern bands, but it reminds me of how metal singers sounded around the late '80s and the beginning of the '90s. Although you will find some mid-tuned growls, Ian’s voice successfully introduces tons of raspy screams like it was usual in the initial years of the genre. "Desolate Chasm" is a good example of it where he delivers a great performance, and a faithful example of the characteristics mentioned. About the pace and song structure, the traditions of the classic efforts are also well represented in "But Merely Flesh". The pace throughout the whole record is varied, intense almost always, but having its ups and downs in the pace and energy. Moderately fast sections are combined with mid-tempo and slower parts in a very natural and inspired way. If you want relentless energy and vivid pace, songs like "Slimeblade" will please you. Excellent tracks like "Nocturnal Suffering" and "Demented Procession", give plenty of room to head-bang like crazy with its excellent mixture of speedy parts and mid-tempo sections that will make it impossible for the listener to remain still. Slower sections have their presence here and there throughout the album too. "Sentinel Chamber" is one of my favorite pieces in this sense, as it has a great contrast between heavier parts and the calmer ones. This composition has, which is probably the most atmospheric and calm section, that fortunately does not sound out of place at all. The way the band mixes different tempos shows the amount of work and talent put into this album, which is something that always deserves our praise.

'But Merely Flesh' is an excellent starting point for this project. The band gives the listener what he wants, a loyal and well-constructed old school metal album made to break some necks during concerts. Turn it up loud and enjoy! (Alain González Artola)

(Transcending Obscurity Records - 2024)
Score: 78

https://ritualfogdm.bandcamp.com/album/but-merely-flesh

Officium Triste - Hortus Venenum

#FOR FANS OF: Death/Doom

The Dutch veterans Officum Triste are for sure one of the most relevant projects in the doom metal scene. Founded 30 years ago, these veterans have a career full of great albums, although they haven’t been particularly prolific. But you know, it’s always clever to focus on quality rather than on quantity, and Officium Triste has followed this rule with a devoted constancy. As you probably imagine, there have been some line-up changes through its three decades of existence, although less than you could think. More importantly, a core trio remains since its inception, which probably explains how this band maintains its recognizable classic sound. This could be a bad thing if the inspiration drops, but thankfully Officium Triste has kept the passion alive, which is something remarkable.

Its combination of death and doom metal influences, with a strong atmospheric touch, has always been very appealing to me as this ambience enhances the beauty of its melodies. The new opus entitled 'Hortus Venenum' is not an exception. The balance between atmosphere and tasteful guitar melodies is again impeccable. Firstly, the production is just perfect, it’s equally clean and powerful, leaving each musician, including the always robust vocals, to shine when necessary. Structurally, the compositions don’t differ too much in its peace, a quite unsurprising fact if we have in mind that doom/death metal is not a subgenre known for its incredible tempo changes. In any case, the songs don’t sound absolutely monotonous as the band tries to add small variations in each composition. You can appreciate this effort between the first track, "Behind Closed Doors", and the second one entitled "My Poison Garden". The intense album opener contains everything you expect and love from Officium Triste. The guitar harmonies are top-notch. Their beauty is undeniable and combined with the piano/key arrangements the captivating moments come one after the other. Creating mesmerizing moments is something Officiam Triste can do as many times as they want, which speaks volumes about the band’s talent and passion. The initial part of "Anna’s Woe" is a fine example of it, with this marvelous ambient section led by delicate guitar and piano melodies. The rest of the album follows similar patterns and quality level, which makes the listener fully enjoy the experience. The album itself is not long at all, as it clocks around 41 minutes. The way you end an album is always a key moment, as it lets the listener with a lasting taste of the band’s work. Once again, the Dutch veterans know how to do the job properly. The last and longest piece, "Angels With Broken Wings", is a magnificently crafted composition with tons of exquisite melodies. It’s a remarkably slow song, but it shouldn’t be a problem for the accustomed listener, as the aforementioned melodies are a delicatessen of sonic nourishment for the listener.

In conclusion, Officium Triste has returned with a truly excellent new album. The greatness of its melodies and atmosphere clearly shows the amount of effort put by the band, and it is for sure a gift for its numerous fans. (Alain González Artola)

(Transcending Obscurity Records - 2024)
Score: 88

https://officiumtriste.bandcamp.com/album/hortus-venenum

Morgue Supplier - Inevitability

http://www.secret-face.com/

#FOR FANS OF: Death/Grind

This release is pretty "weird" in my opinion. It sways from slow to metal to grind to chill time. It's definitely the strangest release that I've heard from 2022. That's what makes it so intricate and appeasing. These guys have been around for a long while, but 38 minutes of different Aboriginal feel or vibe to it makes it what stands out. When you think you're being pulled into one extreme to total disheartening atypical dementia. These guys have some death metal mixed with grind action. Though they fluctuate quite a bit! Guitars are fast, mid-paced and overheartenly slow. Their lead guitar work is quite astringent. And the vocals you get quite a variation retro Napalm Death 'The Peel Sessions.'

Guttural vocals mixed with screaming you get all sorts, especially like Lee Dorrian (ex-Napalm Death, Cathedral). Those of whom they seem to draw their influence from. This album is only a little more than 38 minutes. However, what you get is 38+ minutes of death/grind.

I have not heard a band so strange yet episodic and manumatic as these guys via Morgue Supplier. They're incorporating many different sounds and vibes until finally the album fades out. The grind pieces are fluctuating and speedingly incorporated.

The guitars are just an atypical type of mixture between single picked notes to a little bit of everything. The vocals go with the guitars, but both, they encapsulate gore mixed with screaming anguish. Throughout, they seem to go nowhere except on the path of resilience. The vocals shriek highly and the guttural sound doesn't let up. It goes on and on with total morbidity. I enjoyed this album, but I'm thinking that what I enjoyed the most is them going on and on hitting walls with the drum slots and guitars mixed with praying different versions of guttural onslaught. I think the best part of the release is that it doesn't sway too much into oblivion, it is oblivion that slays it! (Death8699)

(Transcending Obscurity Records - 2022)
Score: 80

https://morguesupplierband.bandcamp.com/album/inevitability

Eternal Storm - A Giant Bound to Fall

#FOR FANS OF: Prog/Melo Death

Three years ago, I was lucky enough to review Eternal Storm’s debut effort entitled 'Come the Tide', a genre refreshing first album which impressed me a lot. Created in Madrid back in 2009, although the band relocated to Scotland some time ago, Eternal Storm needed a few years to release a full-length album, but the wait was worth of the time. Firmly rooted in the melodic death metal genre, the Spaniards reached a great balance between aggression, atmosphere, and tasteful melodies. For this reason, I was reasonably hyped with the fact that the band is set to release its sophomore album 'A Giant Bound to Fall' this February, with the always reliable label Transcending Obscurity Records.

Surpassing a great debut always puts some pressure on the band and this new album needed to be something especial, at least, to continue carving a position in the scene for Eternal Storm. I can safely say that this new opus won’t disappoint the fans, even though I consider that it requires time to properly judge if it is better or not. The first impression is that the band has pushed the boundaries of the mixture they created in 'Come the Tide'. Its melodic death metal tinged with atmospheric and pure aggressive parts is still there, with renewed enthusiasm I would say. I can feel some stronger progressive touches through the album. This is immediately noticed in the lengthy album opener "An Abyss of Unreason". The complex structures, the ups and downs in the intensity, the variety in the riffing work, plus the great combination of clean and aggressive vocals make this initial song an outstanding piece of music. "Last Refuge" is another highlight of the album, although it is quite complicated to choose the best tracks as the whole work is wonderful. I choose this one as its melodies and initial furious part make it remarkably catchy and a good candidate to be played in the concerts quite often. I would like to praise the top-notch work with the guitars, the riffs are excellent and melodies absolutely tasteful and captivating. This is what one can expect from a melodic death metal band, but Eternal Storm undoubtedly reaches a level of excellence in this aspect. Another key aspect is that the aforementioned complexity and progressive influences don’t deprive of soul and emotion to the music of this album. This is something I truly appreciate, as I always expected some emotional moments regardless of the work behind the songs the bands create. "Lone Tree Domain" is another superb track which I would like to highlight. The contrast between the heaviest parts and the most atmospheric ones is masterfully built, and it shows the amount of work the band has done creating this album. I love when bands go back from the calmest to the most furious ones with a progression that doesn’t lack of emotion and beauty, and this track is an absolutely fine example of it. Last but not least, the production of 'A Giant Bound to Fall' also deserves some praise, and it is absolutely well-done. It’s clean but not overproduced, and it sounds heavy and crushing when needed. The balance between the instruments and vocals is perfect and permits the listener to fully enjoy the music.

In conclusion, Eternal Storm’s third opus 'A Giant Bound to Fall' breaths grandeur in its entirety. Albums like this are the perfect example of how a stagnated genre like melodic death metal can find a path to sound fresh and exciting again. Well-done guys.(Alain González Artola)

(Transcending Obscurity Records - 2024)
Score: 87

https://eternalstorm.bandcamp.com/album/a-giant-bound-to-fall-2