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Visualizzazione post con etichetta Azathoth’s Dream. Mostra tutti i post
Visualizzazione post con etichetta Azathoth’s Dream. Mostra tutti i post

martedì 15 luglio 2025

Azathoth’s Dream - Solitary Forest Necromancy

#FOR FANS OF: Atmospheric Black
After an interesting debut EP and the subsequent excellent full-length entitled 'Nocturnal Vampyric Bewitchment,' the USA-based duo Azathoth’s Dream is back for the rejoicing of 90s black metal die-hard fans. I personally enjoyed their debut album quite a lot, as it truly sounded like an honest and well-elaborated homage to black metal’s most authentic times.

Two years later, the duo is ready to unveil its new album, and the question is whether it will be on par with its predecessor or if it can improve upon it. 'Solitary Forest Necromancy' is the title of the new beast, and it follows the same patterns, for sure. The album is firmly rooted in the quintessential characteristics of the genre, with no big surprises regarding the elements that can be found in it, which is obviously good news for the average fan. The American duo has created ten pieces where rawness and atmosphere coexist in excellent balance. If we compare both albums, I would highlight that, in general terms, the atmosphere is even stronger here, but never to the detriment of the fierceness in the compositions. The keys play an important role, as their presence is notable. They are perfectly paced in the mix, and they embrace the rest of the instruments, creating a solid feeling of unity. Kudos for the production work, because even though the sound is raw and primitive, the guitars, keyboards, rhythmic section, and L. Azathoth’s vicious shrieks each have their own space to shine. Azathoth’s Dream's material is far from being complex, but it has the required variety in terms of guitar lines and tempo changes that make their compositions highly enjoyable and well-crafted. I personally appreciate it when a band tries to create compositions where the pace has its ups and downs and avoids sounding exasperatingly repetitive.

The album opener, "Denied", showcases the aforementioned characteristics with a fast-paced beginning, where L. Azathoth's screams lead the charge alongside the powerful guitars and hypnotic keys. Fast and slower tempos are tastefully combined to enhance the track's strong ambiance. This combination sounds even more inspired in "Ancient Black," which is one of the strongest tracks on the album. The guitar lines are particularly strong in the equally furious "Malevolent Enshrined," where the drums also sound remarkably powerful. The band slows down the pace a bit in the enjoyable track "Coven of the Ancient Black Flame," although, as is the case with the rest of the composition, you won't find a single song where fast or slow sections are completely absent. The mix of different rhythms is a key element of Azathoth's Dream and one that this project aims to preserve, which I consider a wise decision, as it is a fundamental ingredient of this well-crafted album.

'Solitary Forest Necromancy' is undoubtedly another solid step in Azathoth’s Dream’s career. The elements found in the previous works are still here, perfectly mixed and maintaining a great level of inspiration for our personal delight. (Alain González Artola)


giovedì 22 febbraio 2024

Azathoth’s Dream - Nocturnal Vampyric Bewitchment

#FOR FANS OF: Raw Black Metal
Hailing from the US, Azathoth’s Dream is a new one-man band, whose debut EP entitled 'Necromanticism', caught the attention of a well-known label like Iron Bonehead Productions. Apart from this, there is little information about this project, so we will let the music speak, which is obviously the most important thing here.

As mentioned, Iron Bonehead is set to release the first full length of this obscure project. The first effort is entitled 'Nocturnal Vampyric Bewitchment'. The album title and the dark artwork give a clear clue about how this project sounds. Azathoth’s Dream’s debut album shows its devotion to black metal’s '90s golden era and more particularly to these bands tagged as “vampiric black metal”, where the sound is an interesting mixture of rawness, melody, and atmosphere. And this is exactly what we can find in this album. Consisting of nine tracks and lasting less than 28 minutes, this effort gets right to the point. After a haunting intro, the fury begins with the ferocious "Instatiable Sanguine Thrist". As soon as the song begins you will notice the murky production which is typical in this sort of bands. The lacerating high-pitched vocals are combined with the expected tremolo picking guitars melodies. Even though the production is remarkably raw, the guitars are able to create some melodic harmonies and a bewitching atmosphere, which will be a constant through the whole album. This is what makes Azathoth’s Dream music so enjoyable, it gets the right balance between aggression and melody, as it still sounds loyal to the underground. Another good point of this song and the album overall is the pace, it never focuses too much on being fast, as slow, and mid-temp sections are also adequately used. Especially captivating songs like "The Grace" and "The Moor" obtain fantastic results doing this. Furthermore, the addition of some atmospheric and even majestic elements creates glorious and lasting melodies that you want to listen to over and over again. A track like "Extinguish the Light" shows in its third minute length a good range of riffs, being some of them particularly crushing and raw. The contrast between this heaviness and the inclusion of atmospheric keys is again very well-done and makes the tracks very alluring. The rest of the album follows very similar patterns, but the inspired work with the guitars, the always changing pace, alongside the excellent atmospheric resources never fail, and consequently let you desire that the album would last a bit more.

'Nocturnal Vampyric Bewitchment' is undoubtedly an honest and outstanding homage to the classic '90s black metal scene, where rawness and atmosphere coexisted greatly. The tastefully created compositions and its short duration, leave the listener wanting more, and this is indeed a good foundation for the hopefully, next album of this project. (Alain González Artola)